| No | Title | Featuring | Lenght |
| 1 | Ev Rebahdee | Planet Asia | 4:26 |
| 2 | Lay Me Down | Terry Dexter | 4:09 |
| 3 | Possessions | — | 1:18 |
| 4 | Tai Arrive | — | 2:02 |
| 5 | If You Don´t Know | Mykill Miers | 3:48 |
| 6 | Money | The Horn Dogs, Huck Fynn, Oezlem | 4:09 |
| 7 | Lost Change | — | 2:24 |
| 8 | I Am | — |
5:15 |
| 9 | Hoode Hella U | — | 2:41 |
| 10 | Lost Chage in E Minor | — | 2:41 |
| 11 | Yadda Yadda | — | 3:44 |
| 12 | Em A Doubble Dee | — | 4:34 |
| 13 | Control Tower | — | 3:15 |
| 14 | Lost Change in D Minor | — | 2:38 |
No singles were released from this album, but there is a music video made for the song “I Am”.
The sixth song – “Money” was re-worked for will.i.am’s third album – Songs About Girls and re-titled to “Spending Money”.
- Will.i.am (Clavinet, synthesizer, kalimba)
- J. Curtis (guitar)
- Printz Board (trumpet, keyboards)
- Dawn Beckman (background vocals)
- Tim Orindgreff (saxophone)
- Terrence Yoshiaki Graves (drums)
- Quincy McCrary (Hammond B-3 organ, background vocals)
- Cuck Prada (percussion)
- Koliyah White, Niu, Dawn Beckman (background vocals)
- Michael Angelo (cello, acoustic & electric basses)
- Madd Dogg, Medusa, Planet Asia, Huck Fynn, Oezlem (rap vocals)
- Audio Mixers: will.i.am; Dylan Dresdow
- Photographer: Albert Watson
- Recorded at Stewchia Studios, Atwater Village, California
Jay Dee and Pete Rock’s extremely contrasting contributions to BBE’s ambitious and rapidly unfolding beat-suite series has made it increasingly difficult to discern where the label’s “true” musical vision lies. While Jay Dee’s Welcome to Detroit was a more rhyme-orientated opus, Pete Rock’s Petestrumentals was a distinctly jazzy, instrumental-based endeavor. will.i.am’s “Lost Change” is a solid extension of this movement, as it cozily nestles itself in between these two releases, sprinkling in an equal assortment of both beats and rhymes. Though will has taken the instrumental-based series and put his own stamp on it, that stamp still contains occasional hues of Black Eyed Peas’ (of which will is a member) organic stylings (“Ev Rebahdee” featuring Planet Asia). Yet, BBE’s progressive format frees will up to dabble in a menagerie of musical styles. And he is up to the challenge, as “Lost Change” fuses together aspects of jazz, electronica, funk, Caribbean, and trip-hop rhythms. While the straight-up rhyming tracks border on sublime (“I Am”) to humdrum (“Money” featuring Huck Fynn, Oezlem, and Horn Dogs), it is the instrumental format where will truly flourishes. Showing a true knack for experimentation, will leisurely darts back and forth between the reggae-scented “Possessions,” “Lost Change” (which coalesces jazzy horns, with junkyard band riffing), and the hazy electronic fuzz of “Thai Arrive,” which unfolds like a Radiohead track, minus the attitude. Similarly, “Lay Me Down” has the potential to be a breakout hit, as will’s infectious snare claps and blissful horn snippets provide a cooled-out platform for Terry Dexter’s soulful vocal scatting. On “Control Tower” will inserts a vocal clip that states, “I’m on the brink of a great achievement.” Though “Lost Change” falls short of those expectations, will does an admirable job of implementing a host of different styles, without losing the listener in the process, as “Lost Change” is a sophisticated, musically enthralling endeavor, which still manages to be accessible.¨
~ Matt Conaway, All Music Guide
This album continues to span the musical styles of ‘Bridging The Gap’ and will appeal equally to beat headz, new & old jazz listeners, soul lovers – in fact anyone who is into high quality music. The Black Eyed Peas’ music incorporates everything from hip-hop, jungle and trip-hop.
~ Amazon.com
